“Music heals,” says Louis Begue, who just a few months ago released his EP, Living Memories. “It saved me many times”.
When I’ve asked artists what they’d like to be different about our space I get feedback like this
A simple way to keep track of song arrangement changes along with recording iterations.
Learning how to make your own scratch tracks can go a long way in helping you prepare for your recording sessions. It can even help you understand the DNA of your own songs.
Michael Omartian (born November 26, 1945) is an American singer-songwriter, arranger, keyboardist, and music producer. He has been a participant in numerous albums during a career that has spanned more than four decades. As a producer, he has had number-one records in three consecutive decades —Wikipedia
This morning I reached out to a few respected drummers to get their opinions on a drum kit I thought might be a good fit for the studio. In the process Brian McTear and I ventured over to topic of getting the kick sound “right” and what right could mean.
With Connie Flack providing La Croix and Ron Flack offering the space, Andy Hoffman and Matt Gregory from the Ohio Native band, Ledges, sat down in the Realgrey Records, Our Carriage house Studio to talk about the process of building a song.
Music speaks where words cannot. During this pandemic, we have all struggled to know how to access deep connection as we’ve experienced so much change and isolation from our typical ways of being together.
His hands fumbled around on a Wal-Mart guitar, searching the strings for one chord, then another. He was learning the ropes. He had stories to tell, untapped passions living just below the surface.
Jesse Gearhart talks to Josh Compton about his various writing and music-making projects, his approach to producing others, and what he is learning from Ron and John through his internship at Realgrey Records in Canton Ohio.
Jason “Goody” Goodwin talks to Josh Compton about finding your voice, the evolution of a band and his new EP.
Greg Snier talks with Josh Compton about music making, his history with Realgrey Records, and learning to use technology to serve the songwriter.
“Anything that happens in life, no matter how severe or sinister, can be turned into something beautiful”. This is how Brandon Covey describes the themes of his new album, Reflections, a series of mostly instrumental pieces centered around his bass guitar.
Some time ago, I found myself at Realgrey Studios, visiting the “control room” while songwriter Gary Peck put down vocal tracks in the room adjacent. He stood quietly behind the microphones as the dark light of Canton crept through the windows.
The summer sun is beginning to wane. Fall winds have swept in, and along with them come rainy, gray days; warning us of the impending winter. Ohio is known for its meandering climates, but I think it’s the chilly, fall evenings that best encapsulate a land that refuses to give up, despite the imminent cold of winter, or of hard times. That is Ohio.
There’s a fair amount of spirituality that creeps into the songs of Kevin Embleton. Not so explicit that it would turn away those less inclined to religion or its ilk, but subtle enough to draw your attention, if only for a moment, to something beyond this life.